American Flagg! is a comic book series created by Howard Chaykin which was published by First Comics from 1983 to 1989, and was set around the United States government in the early 2030s. Writers included Alan Moore, and J.M. DeMatteis.
American Flagg was one of the first titles to be published by the newly formed First Comics in 1983. It proved to be a major success for Chaykin and First Comics and fans were won over by Chaykin’s handling of more mature themes not common in comics at the time, the intense mix of satire and science fiction and his dynamic and expressive art. The first twelve issues form one complete story which has become a huge influence upon current comic creators such as Brian Michael Bendis and Warren Ellis.
After issue 12, Chaykin continued the story but began to lose interest in the title. Chaykin began to concentrate on other projects such as his revamp of The Shadow for DC Comics and Time2, which was introduced in a one-off special of American Flagg! in 1986. Eventually Chaykin left to be replaced on a regular basis by J.M. DeMatteis after seeing Alan Moore write several issues. The Moore issue was not well received and the DeMatteis run saw the title’s sales decline. Chaykin returned to the title for a brief run but the series was cancelled in March 1988 and relaunched a few months later as Howard Chaykin’s American Flagg!. This run saw Chaykin return to writing the series, with Mike Vosburg and Richard Ory penciling and inking the interior art, but the franchise failed to recapture its early success and was cancelled after only twelve issues.
The first nine issues were released by First as a series of graphic novels but after the collapse of First they went quickly out of print. Dynamic Forces and Image Comics announced a reprinting[1] of the first twelve issues in both hardcover and paperback editions in 2004, but these have yet to see print as of 2007.
The story takes place in the year 2031, after a series of worldwide crises called the Year of the Domino (1996) has forced the U.S. government and the heads of major corporations to relocate to Hammarskjold Center, on Mars (“temporarily, of course”). In the wake of the American government leaving the planet and the Soviet Union collapsing from Islamic insurrections, there was a power shift throughout the world, with Brazilian Union of the Americas and the Pan-African League becoming the new superpowers on Earth.
However, the exiled American government, its corporate backers, and a group of technicians in the defected Soviet lunar colony of Gagaringrad form the Plex: a giant, interplanetary union of corporate and government concerns that conduct commerce and govern the United States from its capital on Mars. Many population centers are grouped around massive, fortified arcologies called Plexmalls and the law is enforced by the Plexus Rangers, the absentee Plex’s Earthside militia.
The Plex has formed the Tricentennial Recovery Committee, to get America “back on track for ‘76″, but the TRC is in reality a plan to sell the United States off to the new superpowers and to leech off the remaining inhabitants before gaining true self-sufficiency. As a result, the Plex has outlawed non-combat related education, organized sports such as basketball and personal aircraft, restricted media to only one outlet, the Plex itself (although it has multiple channels), and advocates and glorifies the use of political violence amongst independent policlubs by providing money and firearms for its hit TV show Firefight All Night LIVE!, and covertly sterilizes the population by using a combo contraceptive and antibiotic called MaƱanacillin to reduce the population.
This all changes when former television star Reuben Flagg is drafted and transferred to Chicago’s Plexmall to replace the local Ranger Hilton “Hammerhead” Krieger’s fallen partner. He witnesses widespread graft and corruption throughout the Plexmall, but also a series of subliminal messages implanted in a television show that are causing outbreaks of gang violence. After he uses his emergency powers to interrupt the broadcast, he not only ends the violence, but also brings forth a series of events that causes the Plex to send in covert agents, the death of Hilton, and the unveiling of Q-USA, a secret pirate TV station owned and operated by Krieger that opens Flagg’s eyes to the nature of the Plex.
As the series progressed, Chaykin took less and less of a direct role in scripting and plotting the stories out, and by the third year of its run, he really had nothing to do with the book other than cover art. Stories began to violate the rules that Chaykin had explicitly stated in the writer’s bible for the series (For instance, California was said to have slid into the Pacific Ocean, but in the final year of the book, California was merely shown to have been abandoned for reasons that were vague at best), and characterizations began to drift considerably as well. (Among other things, Flagg abandoned his interest in ’30s jazz, and was frequently shown listening to late-’60s rock, as well as becoming more of a traditional stern-jawed good-guy hero) Complex stories were replaced by cartoonish over-the-top weirdness (As when Flagg meets up with an army of “Reuben Flagg Worshippers,” or, as some disgruntled ex-readers called them, “Flaggots.”) Whatever spark had flourished in the early years of the book was lost, and readership declined rapidly. After trying and failing several times to shore up declining interests, First Comics decided to lure Chaykin back into the writer’s seat. “American Flagg!” wrapped up its principal storyline in issue 50. By this time, Reuben Flagg had traveled to Mars, overthrown the Plex, and become President of the United States. He then decided to separate Illinois from the United States and run it as his own personal fiefdom. All issues of this series took place in the year 2031.
The next year, the comic was re-launched under the name Howard Chaykin’s American Flagg! and picked up from where the earlier book had left off. (In 2032) There is some difference of opinion as to whether this new book was intended to be a limited run, or open ended as is the norm with comics. In either case, it ended after twelve issues. Although hard-core fans welcomed it as a breath of fresh air, it never quite managed to recapture the fun of early ’80s. The first four issues of this book were mostly geared towards cleaning up the mess that American Flagg universe had deteriorated into in the previous couple years. Flagg was arrested in Europe, the Plexmall was destroyed in an accident, and Illinois re-joined the Union. Eventually sprung from Spandau prison, Flagg made his way to Russia, where he again took a job as a Plex Ranger and had several adventures before eventually marrying.
The final issue ends with a ‘photo album’ of the Flagg’s future domestic life, with lots of kids, a screaming shrew of a wife, and a balding, overweight Flagg himself.
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UPDATED 2009-06-01
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